Alissa White-Gluz
| Canadian singer Date of Birth: Country: Canada |
Content:
- Alyssa White-Gluz: Canadian Metal Icon
- The Birth of The Agonist
- Redefining Feminine Beauty
- Environmental and Animal Activism
- Personal Life
- Nightwish and Arch Enemy
- Legacy
Alyssa White-Gluz: Canadian Metal Icon
Alyssa White-Gluz, born July 31, , is a renowned Canadian metal vocalist and songwriter. Growing up in Montreal, she hails from a Jewish family.
The Birth of The Agonist
In , White-Gluz co-founded The Agonist, which debuted in after signing with Century Media. Prior to joining the band, she was part of a death metal group similar to Opeth at the age of
White-Gluz's extraordinary vocal range, spanning from guttural growls to clean vocals reminiscent of Evanescence's Amy Lee, has earned The Agonist critical acclaim. Her talent has garnered prestigious nominations, including being named one of Revolver magazine's "Hottest Chicks in Metal."
Redefining Feminine Beauty
In , Revolver recognized White-Gluz as the "Hottest Chick in Metal," featuring her in a photoshoot. White-Gluz believes that women's self-perceptions are crucial: "A woman will only believe she's beautifu
Alissa White-Gluz
Additional notes
* Guest appearances
Never More Than Less – On Track "So Beautiful" – Album Relentless (, Le Collectif Artcore)
(The) Plasmarifle – On Track "From The Trail Of Ashes " – Album While You Were Sleeping The World Changed In An Instant (October Siege Of Amida Records)
Blackguard – On Track "The Sword" – Album Profugus Mortis (April Sumerian Records)
Kamelot – On Track "Sacrimony (Angel Of Afterlife)" – Album Silverthorn (October SPV/Steamhammer, King)
Delain – On Track "The Tragedy Of The Commons" – Album The Human Contradiction (April Napalm Records)
Kamelot – On Tracks "Liar Liar (Wasteland Monarchy)" And "Revolution" – Album Haven (February Napalm Records)
Metal Allegiance – Guest Vocals On "We Rock" – Album Metal Allegiance (, Nuclear Blast)
Karmaflow – As The Muse In "The Muse And The Conductor" ()
Caliban – On Track "The Ocean's Heart" – Album Gravity (March , Century Media)
And Then She Came – On Track "Five Billion Lies" – Album And Then She Came (June DME Music Napalm Records)
Tarja Turunen – On Track "Demons In You" – Album The Shadow Self (August , Earmusic)
Delain – Guest Vocals On "Hands Of Gold" – Album Moonbathers (Aug
Alissa White-Gluz released her newest album, &#;Deceivers,&#; with Arch Enemy in the summer of and went number one in the charts of Finland, Switzerland, and the UK. But her music career began two decades before that when she was a year-old girl.
According to a chat with Toon Track, White-Gluz started in a progressive rock band back in the day and had a clean singing voice. Later, she developed her current singing style and entered the metal scene with the band The Agonist in
The Vocalist&#;s Run With The Agonist
During her tenure from to , The Agonist gained recognition in the metal scene with the help of the singer&#;s mix of clean and harsh vocals. Some of its albums, such as &#;Lullabies for the Dormant Mind,&#; received positive reviews and cemented White-Gluz&#;s place in the genre.
Joining Arch Enemy
In , the frontwoman took a different step in her career by joining the Swedish melodic death metal band Arch Enemy. This shift marked a new era, both for her and the band, as their first album together, &#;War Eternal,&#; showed her adaptation to a different style of metal music.
With White-Gluz as the frontwoman, Arch Enemy released several albums, including &#;
Arch Enemy: Alissa White-Gluz's Guide To Life
Arch Enemy frontwoman Alissa White-Gluz airs her thoughts on feminism, activism, music and religion
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Being one of metal’s most prominent female figureheads makes Alissa White-Gluz a role model and spokesperson for female fans across the globe. However, it’s a role she’s more than happy to fill, giving her a platform to discuss not just women’s rights, but environmental activism, religious ills and even the appreciation for a good pop hook.
Music
“I enjoy classical music. I think it explored a lot of dark sounds and dissonance before rock music. I like the fact that it was frowned upon when they were doing things like the devil’s note. I’m not classically trained and I don’t try to analyse any theory behind it, I just enjoy it and like to listen to it. I really like grunge too, like earlys Soundgarden, Stone Temple Pilots and Nirvana. I know a lot of people hate it but I love the simplicity, the stripped-down, honest songs and the mistakes. On Nirvana’s live album f
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