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Johann Ernst Galliard (–[1] ) was a German composer.
Galliard was born in Celle, Germany to a French wig-maker. His first composition instruction began at age Galliard studied composition under Jean-Baptiste Farinel, the director of music at the Court of Hanover, and Abbate Steffani. In addition to his composition ability, he was also a capable oboe and recorder player. Galliard made a step forward in his musical career when he performed one of his original compositions. This Sonata for oboe and two bassoons debuted at one of Farinel’s concerts. Galliard earned an esteemed seat in the chamber music of George, Prince of Denmark. Later, he moved to England where he became chapel-master of Somerset House. Galliard became a familiar face in high society due to his proximity to and frequenting of the royal residence. In response to war victories, Galliard composed a Te Deum, Jubilate, and three additional anthems.
Bigger and better things seemed promising following his participation in the founding of the Academy of Ancient Music. However, in the scrap for kingdom-wide directorial status, Galliard fell short to greats such as Hand
JOHANN ERNST GALLIARD, (John Ernest) was born in Celle, Germany to a French father, learned flute and oboe from a member of the Celle orchestra, which he joined in , and soon after began composition studies in Hanover with Steffani and Farinelli. When the Celle orchestra disbanded in , he went to London to play oboe and bassoon in Queen Anne’s Consort and in was appointed organist at Somerset House. In he appears to have replaced Loeillet as solo oboist in the Queen’s Theater where Handel wrote specifically for him. Galliard became a leading force in the musical life of London as a theater composer and as founding member of the Academy of Ancient Music, , and the Royal Society of Musicians, These sonatas were apparently requested by Handel’s bassoonist, Kennedy. They were announced May 1, as Six Sonatas for the Bassoon or Violoncello with a Thorough Bass for the Harpsichord, published by John Walsh, London. Translating effectively to other instruments, modern low brass players have adopted them as standard repertoire. Our performance is given with free embellishment in the galant style and pursues a variety of Affekt ranging from profound to comic.
This project is made po
Johann Ernst Galliard ()
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- Johann Ernst Galliard
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- Johann Ernst Galliard
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- "Johann Ernst Galliard (– ) was a German composer.
Galliard was born in Celle, Germany to a French wig-maker. His first composition instruction began at age Galliard studied composition under Jean-Baptiste Farinel, the director of music at the Court of Hanover, and Abbate Steffani. In addition to his compositional ability, he was also a capable oboe and recorder player. Galliard made a step forward in his musical career when he performed one of his original compositions. This Sonata for oboe and two bassoons debuted at one of Farinel’s concerts. Galliard earned an esteemed seat in the chamber music of George, Prince of Denmark. Later, he moved to England where he became chapel-master of Somerset House. Galliard became a familiar face in high society due to his proximity to and frequenting of the royal residence. In response to war victories, Galliard composed a Te Deum, Jubilate, and three additional anthems." - ( ) - Entity Encoding
- piz
Charon : sung by Mr. Leveridge in the
Johann Ernst Galliard
Johann Ernst Galliard (–) was a German composer.
Galliard was born in Celle, Germany to a French wig-maker. His first composition instruction began at age Galliard studied composition under Farinelli, the director of music at the Court of Hanover, and Abbate Steffani. In addition to his composition ability, he was also a capable oboe and recorder player. Galliard made a step forward in his musical career when he performed one of his original compositions. This Sonata for oboe and two bassoons debuted at one Farinelli’s concerts. Galliard earned an esteemed seat in the chamber music of George, Prince of Denmark. Later, he moved to England where he would become the next chapel-master of Somerset House. Galliard became a familiar face in high society due to his proximity to and frequenting of the royal residence. In response to war victories, Galliard composed a Te Deum, Jubilate, and three additional anthems.
Bigger and better things seemed promising following his participation in the founding of the Academy of Ancient Music. However, in the scrap for kingdom-wide directorial status, Galliard fell short to greats such as Handel and Bononcini
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