Zarouhie Abdalian
Zarouhie Abdalian (b. , New Orleans, Louisiana) lives and works in New Orleans. She is currently included in Put it This Way: (Re)Visions of the Hirshhorn Collection at Hirshhorn Museum and Sculpture Garden, an exhibition of work by women and nonbinary artists from the museum’s permanent collection.
Abdalian has exhibited her work at numerous international venues and biennials, including San Francisco Museum of Modern Art, San Francisco; Secession, Vienna; Wattis Institute for Contemporary Arts, San Francisco; Whitney Biennial, New York; MOSTYN, Wales; the 5th Ural Industrial Biennial, Ekaterinburg, Russia; Massachusetts Museum of Contemporary Art (MASS MoCA), North Adams; Prospect.3 Biennial, New Orleans; the 8th Berlin Biennale; 9th Shanghai Biennale; CAFAM Biennale, Beijing; and the 12th Istanbul Biennial. Previous solo exhibitions include Haynes Court, Chicago (); Altman Siegel, San Francisco (); Contemporary Arts Center, New Orleans (); LAXART, Los Angeles (); The Museum of Contemporary Art Cleveland (); and the Berkeley Art Museum and Pacific Film Archive (). Abdalian was a – Pollock-Krasner Foundation grantee and recip
Zarouhie Abdalian (b. ) lives and works in New Orleans. The artist typically employs modest materials to produce subtle conceptual or formal effects that stage an alteration or a shift of perception within the immediate environment. Rooted in the particularities of site and context, her work often responds to the specific attributes of a given location, architectural setting, or social landscape. Using sound, performance and sculpture, she draws attention to the overlooked by framing a space and restoring forgotten aspects of its layered history. In this capacity, Abdalian explores the concept of labor and the movement of objects and resources in support of said labor. (Courtesy of Altman Siegel)
Abdalian has exhibited her work at numerous international venues and biennials, including San Francisco Museum of Modern Art, San Francisco; Secession, Vienna; Wattis Institute for Contemporary Arts, San Francisco; Whitney Biennial, New York; MOSTYN, Wales; the 5th Ural Industrial Biennial, Ekaterinburg, Russia; Massachusetts Museum of Contemporary Art (MASS MoCA), North Adams; Prospect.3 Biennial, New Orleans; the 8th Berlin Biennale; 9th Shanghai
Zarouhie Abdalian
Zarouhie Abdalian (b. ) lives and works in New Orleans. The artist typically employs modest materials to produce subtle conceptual or formal effects that stage an alteration or a shift of perception within the immediate environment. Rooted in the particularities of site and context, her work often responds to the specific attributes of a given location, architectural setting, or social landscape. Using sound, performance and sculpture, she draws attention to the overlooked by framing a space and restoring forgotten aspects of its layered history. In this capacity, Abdalian explores the concept of labor and the movement of objects and resources in support of said labor.
- Raytheon, Rockwell, Teledyne, BAE, Opale, Skytron, General Electric (recorder, plotter, ventilator, detector, controller),Glazed ceramic, five parts5 x 60 x 3/8 in
x x 1 cm - 30 3/4 x 20 3/4 x 2 1/2 in
x x cm - how many will die for the price of grain,Flexible intermediary bulk container (food grade)1/4 x 1/4 in
x cm - message (lower parts) ii,11 3/8 x 14 3/4 x 1 5/8 in
x x cm - monument to Prometheus,52 x 44 1/8 x 35 1/8 in
x x 89 cm - threnody
New Orleans nativeZarouhie Abdalian, who recently returned to her hometown after stints in Philadelphia and Oakland, is a multidisciplinary artist whose work often interrogates site-specificity. Using sound, performance, and sculpture, she draws attention to the overlooked by framing a space and restoring forgotten aspects of its layered history—for instance, projecting spoken words about industry into New York’s Meatpacking District to question labor relations or replacing sections of siding and fencing at the New Orleans African American Museum with mirrored glass to invite consideration of the site’s troubled past. In , Abdalian, who earned her MFA from the California College of the Arts, was awarded a SECA award from the San Francisco Museum of Modern Art. Since then, her installations have appeared in the Whitney Biennial, as well as at the Massachusetts Museum of Contemporary Art and the New Orleans Contemporary Art Center.
Amanda Dalla Villa Adams: Could you discuss your shift from painting and printmaking, which you studied as an undergrad at Tulane University, to site-specific installations incorporating sound?
Zarouhie Abdalian: Even when I was working in two di
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