Ralston crawford biography sampler

RALSTON CRAWFORD (American, )

Crawford, began his formal art training in at the Otis Art Institute (Los Angeles) and continued his studies at the Pennsylvania Academy. After travelling throughout Europe, he eventually settled in New York. It was there that Crawford created his first paintings in the sharp-edged, planar style that became characteristic of his work. These works, influenced by the Precisionist painters eliminate naturalistic details and brushed surfaces for tight planes and volumes.

The subjects of many of these paintings were urban landscapes and industrial imagery. His post war works are more abstract but retain the palette and motif of his Precisionist years.

Never formally trained as a photographer, he originally adopted it as a tool to document his travels and contribute to his painting. However, his photographs ultimately developed to be artworks in their own right- eventually his painting equally informed his photography.

 

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Object Details

Creator
Freeman, Richard B.,
Subject
Crawford, Ralston
Spencer, Niles
Place of publication, production, or execution
Other
Physical Description
1 Linear foot, (partially microfilmed on 1 reel)
Access Note / Rights
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Summary
Freeman's research materials on Ralston Crawford and Niles Spencer include biographical material, letters (), writings and notes by Freeman () and Crawford (), clippings, exhibition catalogs and photographs.
REEL Letters () from Ralston Crawford to Freeman, his close friend and business associate, concern Crawford's artistic thoughts and developments, his works of art including paintings, photographs, and films, his exhibitions, sales, teaching positions, travels, and other personal experiences. Also included are letters from Crawford's wife Peggy to the Freemans and letters to Crawford and Berman from others on related subjects.
UNMICROFILMED: Other correspondence includes 10 letters () from Crawford to Edward We

RALSTON CRAWFORD

Ralston Crawford was born in St. Catharines, Ontario, Canada, near Niagara Falls in Four years later his family moved to Buffalo, New York, where Crawford often accompanied his ship captain father on trips across the Great Lakes. Crawford become a sailor and traveled to the Caribbean, Central America, and all along the California coast before returning in to start attending art schools.

For roughly six years Crawford attended a variety of art institutes across the US and Europe. Included were the Otis Art Institute in Los Angeles, the Pennsylvania Academy of the Fine Arts, where he studied with Hugh Breckenridge, the Barnes Foundation, in Pennsylvania, and the Hugh Breckenridge School in Massachusetts. While in Los Angeles, Crawford also worked part-time as an animator for Walt Disney studios. His time at the Barnes Foundation, from to , was greatly influenced by the works of Cezanne, as well as fellow Americans Charles Sheeler and Charles Demuth. Eventually Crawford made his way to Paris where he enrolled at the Academia Colarossi in followed by the Academie Scandinave in Finally he finished his academic sojourn at Columbia University.

Despite hi

Ralston Crawford

Ralston Crawford was born September 25, in St. Catherines, Ontario, Canada. He is best known for his images of American landscapes, which he executed in a Precisionist style.

In Crawford's family moved to Buffalo, where he lived until From to , he studied at numerous institutes, including: the Otis Art Institute; the Pennsylvania Academy of the Fine Arts; the Barnes Foundation; the Hugh Breckenridge School; the Academie Colarossi and Academie Scandinave in Paris; and Columbia University.

Crawford's first one-man show was in at the Maryland Institute of Art in Baltimore. In he moved to Pennsylvania to paint, where he stayed until

Crawford was associated with Precisionism, an art movement stressing a machine-like style, which incorporated flat colors, sharp edges, little texture, and industrial images.  During the thirties, many American artists were turning away from modernism, and the Precisionists regarded industrial subjects as symbols of order, reason and a part of America's cultural heritage. After serving in World War II Crawford moved away from Precisionism in his art, and developed an increasingly fragmented, hard-edged style, perhaps an expression o


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